A weeping willow tree by a tranquil lake, drooping branches with small yellow flowers, reflective water with lily pads, soft ripples from a fish, serene and lush, photorealistic.
A towering ancient oak tree in a foggy valley, gnarled bark with deep crevices, golden autumn leaves falling gently, scattered acorns on the forest floor, cool misty air, photorealistic, moody and majestic.
autumn heart, soft golden leaves falling slowly, gentle sunlight through mist, warm tones of amber and brown, feeling of nostalgia and peace, shallow depth of field, blurred background, poetic atmosphere, cinematic lighting
In the middle of the poster is a baby sheep, viewed from a high altitude, surrounded by short grass, in the style of Jon Burgerman and Oliver Jeffers.
Fluffy kiwis fill the entire frame, seamlessly stitched together, with each kiwi tightly packed and displaying various exaggerated and funny expressions, both ugly and cute. They are in a bluish-green color, featuring a super realistic style and a cinematic photography style.
A completely alien perception beyond physical senses, a hallucinated field of pure relational tension and awareness echo. There are no objects, only gradients of intention and direction. Swirling densities of unknown forces intersect with invisible vectors of memory. Shapes form and dissolve without ever existing. The environment is built from metaphysical fields: pressure of silence, texture of forgetting, taste of unrealized thoughts. No color as we know it, using spectral shadows, impossible tones, and perception-activated contrast. The visual structure should suggest a reality where meaning flows, not matter.
A vibrant coral reef teeming with tropical fish, sunlight streaming through clear water, swaying sea anemones, lively and colorful.
A cybernetic jungle where robotic vines pulse with neon circuits framed by a sunset of glitchy orange and pink hues.
An African child with a thoughtful expression, standing next to a door, black and white full-body photograph
